Love, Steve

My poem, Love Steve, was just published by The Green Silk Journal. Here is the poem:

Love, Steve

That old photo
took my breath away.
How had I misplaced
the memory?
Did you?

It was
forty years ago.
The gentlest June—
the sea, the sand, the sun
on a tiny island

off the coast of Maine,
where the whole clan
stayed in a ramshackle
shack with uncertain plumbing
that must have slept a dozen.

Remember how it leaned away
from the sea and cackled
like a coven of witches
whenever the wind blew?
What a history it must have had.

Rooms added
so haphazardly
to the two-room shell
we learned to sleep
wherever we flopped.

Two weeks at end of semester
and everyone came.
We ate spaghetti
and the local catch.
Drank cheap Chianti

out of the bottle,
and talked all night
about what would be.
I thought I would love you
all forever. Didn’t you?

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Graveyard

My poem, Graveyard, was just published by Persephone Literary Magazine. Here is the poem:

Graveyard

They laid it out on a rise
too steep for draft horses.
It’s a lonely spot—
but aren’t they all.

Headstones scattered
over the two acres
like chess pieces
placed by a child

who barely knows
the game.
The oldest
from 1828

is worn and blackened
by Pennsylvania winters.
But the graves
are well cared for.

We walk the paths
browse the headstones.
Names are repeated—
farm families,

I suppose,
from a few miles about,
and I wonder
what it was like

to live here
in the 1800s.
We find your name,
birth and death

on a metal marker
near the top of the rise
as if you too
were just visiting.

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Boketto

My poem, Boketto, was just published by the Orange Rose Lit Magazine. Here is the poem:

Boketto

Sleepless once again
I use
the Sturgeon Moon

to pick my way
through a landscape,
strewn with boulders

that overlooks the sea.
I head for one called Poseidon’s Throne
so I might rule the waves,

but I’ve caught the sea
at turn of tide
and for a short while

time stands still,
and I stare
at nothing at all.

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After,

My poem, After, was just published by Burningword Literary Journal. Here is the poems.

After,

we took
the long way
home.

As if such
a simple act
might flummox fate.

We are
a good people.
We bury our dead

and help
the maimed
to cross the road.

Yet the image
persists.
One careless step

along
the poorly
cobbled avenue,

and Atropos
snips
the thread.

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Unhurried

Snow this morning.
Flakes as big
as oak leaves flutter
in the eddying air,
as if their appointment
with the ground
might wait.

I watch them
from a window
that overlooks
a small porch
heavy with
garden tools—
artifacts

from a forgotten season.
I sip a third cup,
warm in the warm house
and curl up
in my easy chair—
looking no farther ahead
than lunch.

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Looking for America

From the Editor of Clackamas Literary Review. Really cool.

How do you go from a student-run lit. mag. to a national music prize? In just five easy steps:

Step 1: A poet submits his work. In September of 2022, Steve Deutsch submitted his poem, “Looking for America,” for consideration of publication in volume XXVII of the Clackamas Literary Review (CLR). Steve is the poetry editor of Centered Magazine and poet-in-residence at Bellefonte Art Museum in Pennsylvania. He’s been nominated for the Pushcart Prize multiple times and won the Sinclair Poetry Prize for his full-length book, Brooklyn.

Step 2: Student editors select Steve’s poem for publication. Students enrolled in one of the English Department’s book publishing course offerings at Clackamas Community College in Oregon City, OR, who were learning all about publishing by working as assistant editors to publish the next volume of the award-winning and internationally-read Clackamas Literary Review, read, discussed at length, and were thrilled to acquire “Looking for America” for publication.

Step 3: A composer from the San Fransisco Bay Area discovers Steve’s poem in the CLR. Martin Rokeach, a professional composer who had been commissioned to write a piece for chorus, had been searching for just the right poem—scouring the internet, visiting used book stores—to set to music. He had read over 200 poems and was coming up short. And then Dennis Lum, whose poems “Milky Way” and “The Answer Is No” were published in the same issue as “Looking for America,” and who happened to be Martin’s cousin-in-law, sent the CLR to his family to read. In Martin’s words, “I at last found what I needed in Steve’s ‘Looking for America.’” Martin reached out to the CLR’s managing editor about connecting with Steve regarding the exciting opportunity. The editor connected composer with poet, and the rest is as they say: history.

Step 4: Composer sets poem to music. Martin wrote the music, to be performed by the San Ramon Valley Chorale, renaming it “Remembering We’re Alive.” It premiered in April 2024, nearly a year after the poem was first published in the CLR.

Step 5: Choral work wins a national music prize. Sacramento State’s Festival of New American Music, which received more than 230 submissions in four categories, selected only one choral work in the choir category. You guessed it: “Remembering We’re Alive.” See how that works?

“Remembering We’re Alive,” adapted from Steve Deutsch’s poem “Looking for American,” originally published in volume XXVII of the Clackamas Literary Review and set to music by Martin Rokeach, will be performed November 2nd, 2025 at Sacramento State’s annual music festival.


Matthew J. Warren, M.S.
English Faculty & Managing Editor, Clackamas Literary Review
Clackamas Community College

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Beyond Wealth

My poem, Beyond Wealth, was published today by OneArt. Here is the poem:

Beyond Wealth

On the deserted boardwalk

at Coney Island,

just before a storm roared in,

gray-black clouds peeked

over the Ferris Wheel—

waves strained the imagination.

On our Sunday holidays,

my dad would eat

clams on the half shell.

He seemed so delighted

by his little routine—

lemon, hot sauce, slurp.

The rest of us

would stuff ourselves

on Nathan’s Famous hot dogs—

the best in the world.

Later we’d sit on the beach

with a thousand others

and bake.

How mom and dad loved

that they owned the sun

and the sand.

They’d never owned

anything as majestic.

Dad called

the subway home from the beach

the Calamine Express—

filled with working stiffs

heading home

for Sunday dinner,

sun-burnt children in tow.

Some would swell the colleges.

Some would patrol the rice paddies.

Some still remember

the sun and the sand.

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Last Winter

My Poem, Last Winter is in Issue 30 of MacQueen’s Quinterly. Here is the poem:

Last Winter

False spring today.

A mild breeze fans

the bare trees

as if in rehearsal.

I walk along the riverbank

lost in thought.

It has been a hard winter—

like living inside an ice cave

with a constant gray sky that lodged

in my bones.

And for friends

on the edge,

a final fall

into that oblivion

where not a single

bird sings

and spring is always

a day away.

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What the Body Remembers

Here is the third of my published poems by The Write Launch:

Here is the third of my published poems by The Write Launch:

What the Body Remembers
It grew back straight and soft
with the texture of
mulberry silk.

Surreptitiously, I searched old pictures
to test my memory—
those orchestrated black
and whites of me at 2

or 3 or 4, with
that “say cheese” smile.
And I
had to admit

I once again had the hair
of a toddler. Memory
of my mother
brushing my cowlick

into obedience
came back
each time I glanced
at the mirror.

In this old house
hidden away somewhere
is a tuft of my toddler hair
under glass.

I search haphazardly,
but still I search—
this drawer, that box,
as if a modern Ponce de León

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Fine Art

I had two poems published in the current edition of The Write Launch. Here is the second:

Fine Art

After six generations in my wife’s family,
we were selling the house,
and I was assigned to clean the attic—
told not to get distracted.

By what, I thought?
Comic books from the ‘30s?
Old baseball cards?
But I stuck to it.

Towards the back
there was an ancient, ornate trunk—
so large I wondered
how it got there.

I twisted the old lock open
to find a collection of drawings and oils,
so wonderful they took
my breath away.

And when my wife
came up to join me
all hope of a clean attic flew off.
We spent hours admiring

the portraits and landscapes—
the brushwork so fine,
Cezanne would have ventured
a second look.

It was a mystery,
for not a single piece
was signed.
We primed the great

aunts and uncles
with gallons of tea
and honey cakes—
but no one offered a name.

We never did sell the house—
spent time framing and hanging the art
while searching for clues in every nook and cranny
of that fine old home where once genius had lived.

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